Thursday, October 23, 2008

Site #18 Courtney Egan "Deep Water Dates I" April 2007 - present; Corner of Banks & Broad, Mid-City






"The history of flooding in New Orleans reveals some fascinating, comforting and unsettling stories. How come I've never heard these stories before? On a visit to the Historic New Orleans Collection, I met with the encyclopedic John Magill, who told me a memorable tale about the Bonnet Carre river crevasse of 1871. A giant break in the levee upriver pushed so much water into the lake that the Hagan Avenue levee broke and flooded areas of the city that were populated then, such as Mid-City, for MONTHS. People resigned themselves to living in their flooded homes, on the 2nd stories or on top of furniture. Food and staples were delivered to them by boat. Like Katrina, this flood was also a media sensation, with reporters from all over the nation arriving in droves to chronicle the event.

An informative paper about the history of drainage can be found here.

An interesting detail: a group of women in 1899 lead a successful battle to pass a tax, heavily opposed by many property owners initially, to fund the creation of the Sewerage and Water Board. The new S&WB's implementations - the pumping system, for one - so improved the sanitation of the city that yellow fever abated, life expectancy instantly increased, and commercial growth boomed. The population of the city almost doubled within the next 25 years.

The other effect of the S&WB and the population boom was that people began settling in some of the lowest areas in the city, where land had become "habitable" because of the new drainage technology. Where did the memory of horrible past flooding go? Some floods happen slower than others, allowing more evacuation time and less loss of life ­ supposedly in the 1871 flood, the waters rose about 1 foot every 36 hours.

How will we remember Katrina in 30-40 years? How will it affect where we continue to live and how we live?

During the May rainstorm flood of 1995 I lived near this installation. My car flooded over the engine. I called work to let them know I wouldn't be in, and no one knew there had been a flood! They all lived in higher areas. The water during Katrina, only 10 years later, was 7 -8 feet deep around this corner, maybe more. This neighborhood is always impacted by floods, yet the people and the businesses return. Broad St. is a busy thoroughfare, with cops passing constantly on their way to the courts and the jail. A local guy, "Sergeant Joe," stopped and talked to us about his Katrina and other flood experiences, on his way home to celebrate his birthday. I hope the colors in the piece attract attention and get more people interested and aware of the long history of flood events in the neighborhood." - Courtney Egan

Please visit www.courtneyegan.com


Site #12 Elizabeth Underwood "Pink Tree Pink" Dec 2006 - Feb 2008 People's at Mendez, Gentilly (*NLP)





(*NLP = no longer physical)

"All I want to do is create beautiful surprises in this landscape & for this community who have (and continue to) suffer/ed their share of surreal visual surprises/abuses since the Federal levee breaks of 2005. Just a reason to go, "What the heck?!" for something other than seeing a car on top of a house or a house upside down in the middle of a road or an empty field where your favorite grocery store used to be." - Elizabeth Underwood

Site #10 Christy Speakman "Bird Puddle" Jan 2007; Lake Ponchatrain Beach Tennis Courts (*NLP)





(*NLP= no longer physical)

"This work was meant to function as a narrative disruption of the imagery we have been inundated with since the storm, using a hopeful rhetoric to create a dialoge that engages the survival process. The process of installing the work on the Lakefront was a powerful experience- walking along the shore I became acutely aware of Elizabeth Underwood and I's footsteps in the sand, each and every persistent irregularity in the ground. Itching from mosquitoes, we didn't say a word as I dug the puddles into the weeds and dirt. It was a strong itch and a long calmness." - Christy Speakman

Please visit www.christyspeakman.com

Site # 8 Stephen Collier "Croatoan" Dec 2006; Tennessee Street, Lower 9th Ward (*NLP)





(*NLP = no longer physical)

"For this installation the word “Croatoan” was hand painted on all the dead trees that are lined along Tennessee Street in the Lower Ninth Ward. Tennessee Street was chosen because the only things that remained on the street at this time were dead oak trees and the occasional cinder block. All of the homes had been removed. There were no signs of life on this once lively street.

This desertedness echoes the mysterious word “Croatoan” first discovered by Governor John White in 1590. White found “Croatoan” carved in a tree in Roanoke Island. This word was the only trace of the first English colony left there a few years before. The colony was never found. They are now known as the “lost colony”. "Croatoan” has mysterious and unpleasant connotations. It is the same feeling one gets while walking down Tennessee Street in the Lower Ninth Ward." - Stephen Collier

Site #6 Elizabeth Underwood "Bright Light Fence" Dec 2006; 5723 Galvez, Lower 9th Ward (*NLP)


(*NLP = no longer physical)

"I wanted to create something here that reflected the simple charm and magic that I could still feel emanating from this property, even in its tragically devastated form. The mini-water bottles, brightly dyed water, and the messages inside the bottles were my unaffected choices in keeping with the easy feeling I got from the energy of this house and its owners, Katrina survivors Joseph and Beverly Mouton now exiled in Atlanta.
Every time I visited this location the wind was howling and I was surrounded by ghosts. The spirit of this lost community, the lost lives, and lost dreams whistle and whip through the yellow caution tape, the high dry weeds. And the colorful bottles in this small gate winked and sparkled like small stars I wish all the people who used to live here could see.
When the house was finally demo'd, over 2 years since the Federal levee breaks, it was a bittersweet moment for the family that I was honored to share." - Elizabeth Underwood

Please visit www.elizabethunderwood.net

Site #3 Jonathan Traviesa "O Water!" Dec 2006; Jeff Davis Neutral Ground, Mid-City (*NLP)


(*NLP = no longer physical)

"Installing this piece was the utmost thrill. Just knowing that it has the potential to engage random people who come across it - that it may inspire them to think about its existence. That they may like the simplicity and weirdness of throwing together a few different things in a public space. Also it was a little frightening to climb a ladder of that height - but that was really special - being high up in those trees. Also it felt great to work with friends and meet the kids of the neighborhood." - Jonathan Traviesa